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Check out some of the latest things Justin has been working on.

Runner Runner
Release : 2014
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Nsync Essentials
Release : July 29, 2014
Peak Chart Position : --
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love never felt so good
Release : May 13, 2014
Peak Chart Position : #20
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not a bad thing
Release : 2/24/2014
Peak Chart Position : #8
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The 20/20 Experience 2 of 2
Release : 9/30/2013
Peak Chart Position :
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billboard chart


Justin Timberlake’s 20/20 Experience world tour heads up the weekly ranking of Hot Tours, with sales reported from its European leg that kicked off at the end of March and ran through June 10. Ticket sales totaled $77.3 million from the trek that hit 23 cities in 14 countries on the continent, along with a handful of dates in Middle Eastern markets. Touring in support of his most recent studio albums released last year, “The 20/20 Experience” and “The 20/20 Experience – 2 of 2,” Timberlake launched the world tour in New York City on November 6, playing 38 cities in the U.S. and Canada during a four-month stretch.

The subsequent European leg began in the U.K. on March 30 and included two-show engagements at arenas in seven cities as well as London’s O2 Arena, which hosted the tour for three nights. Six stadiums were also on the schedule, including the Stade de France in Paris, which drew the largest crowd. 57,286 fans filled the national stadium of France on April 26 for a single performance, the highest attendance reported at one venue during both legs of the tour. Overall box office counts since launch place the pop superstar among the top-grossing touring artists of the year with $148 million in ticket sales from 1.3 million fans at 78 performances.

Ranked second among the 10 top-grossing touring artists of the week, One Direction adds $42.6 million to the Where We Are tour’s overall box office gross that is nearing the $100 million mark. This week’s tally includes revenue from sold-out shows at four U.K. stadiums, as reported by concert promoter SJM Concerts in Manchester. With 5 Seconds of Summer on the bill as opening act, the tour included performances on June 6, 7 and 8 at London’s Wembley Stadium, one of three venues to host the tour for three shows. The London run grossed $20 million (£11.9 million) with an attendance count logged at 236,566, the highest draw from a single venue since the world tour began in April. Also included in this report is Manchester’s Etihad Stadium that hosted the pop stars for three nights. The May 30-31, June 1 engagement produced a sold ticket count of 158,579 and $12.9 million in sales. Box office stats from Croke Park in Dublin, the other venue with a three-show run, were reported in a previous week. 1D remains on the road in Europe through July 13 and will kick off a North American run at the beginning of August.

George Strait is third on the slate of Hot Tours, with reported sales from his record-breaking tour finale on June 7 at AT&T Stadium in Arlington, Texas. With $18.1 million in sales from a sold-out crowd of 104,793 at the home stadium of the NFL’s Dallas Cowboys, the country music legend smashed multiple attendance records with his final tour performance.

The concert set a new record for single-show attendance at a U.S. stadium, as well as any indoor venue worldwide. The event also established Strait as country music’s most successful artist ever, based on single-show gross and attendance counts. The three top-grossing performances from the farewell tour — Dallas, Houston and San Antonio — top the all-time list of single performances among country artists according to Billboard’s Boxscore archives.

As well, the first sales figures have been reported from the world tour in support of Lady Gaga’s 2013 album “ARTPOP.” With box office grosses topping $13.9 million from the first 14 performances, the pop star locks down the No. 4 slot on Hot Tours with more than 171,000 tickets sold. The arena tour, dubbed artRAVE: The ARTPOP Ball, launched on May 4 at BB&T Center in the Ft. Lauderdale market, the first date of a North American leg that will play 36 cities through August 9. Dates in Asia, Australia, the Middle East and Europe are on the books through late November.

Also included in this week’s tally is Lady Gaga’s seven-show run at the Roseland Ballroom in New York City earlier this year. The event grossed $1.5 million from 24,532 sold tickets at shows on March 28, 30, 31 and April 2, 4, 6 and 7 to mark the closing of the historic Manhattan entertainment venue.

i am very pleased to anounce that Justin proudly sits utop this week’s billboard chart with “not a bad thing”, This is Justin’s 7th #1 hit

Michael Jackson and Justin Timberlake’s sleek new duet, “Love Never Felt So Good,” will enter the Billboard Hot 100 chart this week following its first few days of availability.

The song appears on “Xscape,” an album of eight tracks of Jackson’s vocals set to new music from Timbaland and J-Roc, Rodney Jerkins, Stargate and John McClain (a former A&M Records executive and co-executor of the Jackson estate). The set arrives May 13.

“Good” premiered on the iHeartRadio Music Awards, broadcast on NBC on May 1, and was then made available for digital purchase. (Instead of Timberlake, Usher danced to the song on the broadcast.)

Fueling its Hot 100 start? Solid initial sales and airplay, which should send the song, available as a solo Jackson recording and in a duet version with Timberlake, onto this week’s Hot 100 in the list’s lower half. Streaming activity since its premiere will also contribute to its debut rank. While “Good” is not yet available across on-demand subscription services, it’s has racked 960,000 views on YouTube so far, split between its official audio clip on Vevo (which was released May 1) and user-generated YouTube clips.

Highlights of the Hot 100 will post on on Wednesday (May 7), while the chart will post in its entirety the following day.

“Good” will mark Jackson’s 49th Hot 100 entry and second since his 2009 death. “Hold My Hand,” with Akon, reached No. 39 in January 2011. That collaboration was released from the posthumous “Michael ” album, which debuted on the Billboard 200 at No. 3 and has sold 540,000 copies in the U.S., according to Nielsen SoundScan.

Jackson boasts 13 Hot 100 No. 1s, the most among solo males in the chart’s 55-year history. Only the Beatles (20) and Mariah Carey (18) have totaled more No. 1s, with Rihanna also having notched 13 leaders.

Highlights of the Hot 100 will post on on Wednesday (May 7), while the chart will post in its entirety the following day.

“Good” will mark Jackson’s 49th Hot 100 entry and second since his 2009 death. “Hold My Hand,” with Akon, reached No. 39 in January 2011. That collaboration was released from the posthumous “Michael ” album, which debuted on the Billboard 200 at No. 3 and has sold 540,000 copies in the U.S., according to Nielsen SoundScan.

Jackson boasts 13 Hot 100 No. 1s, the most among solo males in the chart’s 55-year history. Only the Beatles (20) and Mariah Carey (18) have totaled more No. 1s, with Rihanna also having notched 13 leaders.


Industry forecasters suggest that “Good” may have sold more than 60,000 downloads in the week ending Sunday, May 4. That sum would’ve been generated from only three full days of sales, as the song reached retailers late on Thursday (May 1), after its premiere earlier that evening.

Certainly, “Good” is buoyed by the availability of the duet version with Timberlake, which accounts for the bulk of the song’s overall sales. (Both the Jackson solo version and the duet are combined for sales tracking and charting purposes.)

If “Good” debuts with more than 60,000 downloads sold, that would outpace the opening of “Hold My Hand.” That song sold 19,000 in a similar opening time frame, and served as the first radio-promoted single from  “Michael.” It was released on a Friday (Nov. 19, 2010), so it had less than three full days of sales in its first week (ending Nov. 21). “Hold” then sold 44,000 in its first full week of availability (the frame ending Nov. 28).


Meanwhile, “Good” has also garnered a strong response at radio and appears on track for a debut on the 50-position Radio Songs chart. As of this posting, the cut has drawn 31 million all-format radio audience impressions since its first plays on Friday. On this week’s airplay charts (highlights of which will post later today, while the full charts, along with all others, will update on Thursday), it makes multiple debuts, starting on Adult R&B Songs (No. 19), Adult Contemporary (No. 23), R&B/Hip-Hop Airplay (No. 28) and Adult Pop Songs (No. 40).

As part of Clear Channel’s promotional synergy after the premiere of the song on the iHeartRadio Music Awards, “Good” received hourly plays the following day on a multitude of the company’s pop, adult and R&B/hip-hop stations, greatly contributing to its airplay so far.

Still, the station that has played “Good” the most is CBS Radio-owned adult contemporary KYXY San Diego (and, thus, did not contribute to Clear Channel’s concentrated play). The station has given the duet 37 plays (though Sunday). “We loved the song the instant we previewed it,” says KYXY program director Charlie Quinn. “It felt familiar and right in line with audience expectations for a Michael song.”

As for its long-term fortunes, Quinn is optimistic. “Timberlake and the production value definitely elevate it beyond a novelty.”

“Two icons coming together for a great groove,” is how Alex Tear, Clear Channel vp of programming/Miami, top 40 national brand coordinator and PD of Pop Songs reporter WHYI, describes the track. The station has played “Good” 13 times through May 4. “Hearing and watching the debut [of 'Good' during the iHeartRadio Music Awards] certainly played a role in inspiring listeners’ passion and for them to request it. News traveled fast across the generations, lighting up social media and text requests all weekend.”

Tear concurs that the song could sustain widespread interest following its splashy start.

“It’s smooth and will certainly have a pop-culture impact. It’s a great way to begin rolling into summer.”

Her hit album may be called Red, but she’s definitely in the black.
Taylor Swift earned nearly $40m last year, according to Billboard magazine’s annual Money Makers rich list.
The 24-year-old beat out an all-star lineup that includes Beyonce, Justin Timberlake and even The Rolling Stones.

Proving a woman can live on writing about bad breakups alone, the country/pop songstress earned $39,699,575.60 to become the highest paid musician last year.
Taylor was also the industry’s top touring act generating an estimated take of $30m over the course of her sold-out six month tour.
Adding to her bank account were lucrative tour sponsorships by Keds, Elizabeth Arden and Diet Coke.

The I Knew You Were Trouble singer previously topped the list two years ago, back then earning over $35m.
Following in her country footsteps, Kenny Chesney landed at number two on the list, bringing in just under $33m.
The 45-year-old was aided by his chart-topping album Life On A Rock and his massive No Shoes Nation stadium tour.
Bringing sexyback and a whole lot of cash, Justin Timberlake made his successful return to the music arena following a seven year hiatus.
With two albums and two tours – including his Legends Of Summer juggernaut with Jay-Z (#16), the former boybander racked up over $31 million.
Enough for plenty of suit and ties for years to come.

With their Because We Can stadium tour, New Jersey’s finest Bon Jovi had a busy 12 months and helped the steel horse cowboys come in at number four with $29.4m.
And proving that some things only get better with age, the Rolling Stones celebrated their 50th anniversary with their sold out 50 & Counting tour which pushed them to #5 with over $26m.
Beyonce, Maroon 5, Luke Bryan, Pink and Fleetwood Mac round out the rest of this year’s top 10.
Embattled teen pop sensation Justin Bieber lands at number 11 with just under $19m, while Kim K’s baby daddy Kanye West managed to scrape by on $11.5m at number 26.

Justin Timberlake’s ‘The 20/20 Experience’ leads the year-end Top Billboard 200 Albums chart, the first time a solo male artist has crowned the tally since 2005. That year, 50 Cent’s “The Massacre” (on Shady/Aftermath/Interscope Records) claimed the prize.

Year-End Charts: Billboard 200 Albums | Artists

‘The 20/20 Experience’ (RCA) debuted at No. 1 on the weekly Billboard 200, selling 968,000 copies in its first week, according to Nielsen SoundScan. At press time, it remains the largest single sales week of the year for an album, and reigns as the year’s best-selling title. It spent three weeks at No. 1 and was followed by sequel ‘The 20/20 Experience (2 of 2),’ which debuted at No. 1 on the Oct. 19 chart.

‘The 20/20 Experience’ spent 18 non-consecutive weeks in the top 10 on the Billboard 200 chart (all during the chart year). The album spun-off the singles “Suit & Tie,” featuring Jay Z (a No. 3 hit on the Billboard Hot 100), “Mirrors” (No. 2) and “Pusher Love Girl” (No. 64).

Timberlake’s No. 1 placing follows two years where Adele’s ’21′ ruled the roost. The English singer’s XL/Columbia set marked the first release to go back to back as the year’s top album since 1983 and 1984, when Michael Jackson’s ‘Thriller’ (Epic) was No. 1. While she may not be No. 1, Adele is still present on the year-end tally. “21″ is, coincidentally, No. 21 on Top Billboard 200 Albums.

Macklemore & Ryan Lewis, Bruno Mars Lead 2013 Hot 100 Chart

As for Timberlake, this is his first turn at No. 1 on the year-end Top Billboard 200 Albums as a solo artist. As a member of ‘N Sync, he was No. 1 in 2000 with “No Strings Attached” (Jive).

At No. 2 on the year-end Top Billboard 200 Albums is Taylor Swift’s 2012 release ‘Red’ (Big Machine/BMLG), followed by One Direction’s ‘Take Me Home’ (No. 3, Syco/Columbia), Mars’ ‘Unorthodox Jukebox’ and Mumford & Sons’ ‘Babel’ (No. 5, Gentleman of the Road/Glassnote).

Billboard’s year-end Billboard 200 is based on chart performance during the chart year that began with last year’s Dec. 1 chart and ended with the Nov. 30, 2013, tally.

Justin may be having an awesome week here in the states, but the uk fans arent as nice.

Sister act HAIM bested Justin Timberlake this week.

The trio’s “Days Are Gone” album finally debuted at No. 1 in the U.K., dethroning Timberlake’s “The 20/20 Experience — 2 Of 2.”

According to the Official Charts Company, Timberlake led album sales by 700, but HAIM gained momentum Thursday night (closing the sales gap by a mere 28). By Saturday night, the sisters came out victoriously with 2,100 sales.

HAIM’s “Days Are Gone” includes the tracks “Don’t Save Me,” “The Wire” and “Falling” — all of which are on the U.K. top 40. “The Wire” fell from No. 16 last week to No. 24, whereas JT’s “Take Back The Night” jumped eight spots from 30 to 22.

The rock girl group consists of Alana, Danielle and Este Haim, as well as their drummer Dash Hutton.

In the United States, Timberlake’s album was No. 1 and sold 325,000 copies.

The projections are in for Justin Timberlake and Nelly’s respective LPs.

Justin Timberlake’s follow-up to his enormous come-back effort, The 20/20 Experience, won’t be following up when it comes to numbers. The sales projections for The 20/20 Experience 2 are in, and it’s looking like less than half of the original did.

While the first album pushed nearly a million sales opening week, the second installment is looking to move 350-375k. Although this may be lacklustre in terms of JT, it’ll still get him the #1 spot on the charts, and it’s way better than the amount Nelly is going to move.

Nelly’s new album M.O. dropped this past week, and it’ll basically be a flop if the numbers are correct: only 12-15k copies opening week.Are you planning to purchase either of these albums?

Though NSYNC were only reunited for a total of 110 seconds during Sunday night’s MTV Video Music Awards, that was enough to get the long-dormant boy band back into the zeitgeist—and into the virtual wallets of music fans.

Justin Timberlake and his compatriots were among the biggest sales victors coming off the VMAs, which don’t tend to provide the same kind of spike as the Grammys but can definitely still make an impact: The NSYNC hits compilation Greatest Hits shot into the top 30 on the iTunes Albums chart in the wake of the combo’s performance of “Girlfriend” and “Bye Bye Bye” on MTV’s big show.

And while Timberlake’s current album The 20/20 Experience has been a top 10 staple on iTunes since its release, Sunday night’s show clearly boosted preorders of the forthcoming The 20/20 Experience: 2 of 2, which is one of three preorders currently sitting in the top 20. (The others are Miley Cyrus’ Bangerz and Katy Perry’s Prism; Lady Gaga’s ARTPOP rests just outside that space at 21.)

Interestingly, Timberlake also saw the sales of his first solo album Justified pick up significantly—enough to also land it in the top 30. Why people didn’t clamor to download Timberlake’s FutureSex/LoveSounds (currently sitting at a soft 78), also heavily featured in his VMAs performance, is anyone’s guess.

Other victors coming out of Sunday night include Kanye West (whose Yeezus jumped back into the top 20), Macklemore & Ryan Lewis (though The Heist is one of the most consistent performers in iTunes history, so it’s not a huge leap), and Bruno Mars (whose new single “Gorilla” is steadily climbing and will likely be in the top 10 soon).

The rest of the singles chart is pretty much what you would expect. Katy Perry has had a stranglehold on the top position with “Roar” since it dropped, so it’s not shocking that it remains number one. The buzz over Miley Cyrus’ near-nudity was enough to send her new single “Wrecking Ball” to number three, and Drake’s brief blast of “Hold On, We’re Going Home” during the VMAs was enough to get that song into the top 10. I

nterestingly, despite being declared the Song of Summer at the VMAs and being tethered to a hotly-anticipated concert film coming out this week, One Direction’s “Best Song Ever” didn’t get a significant boost on the iTunes chart.

Of course, sometimes not being at the VMAs is as good a marketing strategy as any. Eminem, who did not attend the show but did show up in a pair of Beats By Dre commercials during the broadcast, immediately took the number two position on iTunes’ singles chart following the midnight release of his new single “Berserk.”

The song becomes his sixth No. 1 on the radio airplay tally, pulling him even with Bruno Mars for the most leaders among males


Justin Timberlake ties the record for the most No. 1s (six) by a male on Billboard’s Nielsen BDS-based Pop Songs radio airplay chart (which launched the week of Oct. 3, 1992), as “Mirrors” rises 2-1. He equals the sum of Bruno Mars, who tallied his sixth No. 1 last month with “When I Was Your Man.” (Mars, meanwhile, debuts at No. 29 with his new single “Treasure,” which he performed last night to open the Billboard Music Awards; all charts will be refreshed Thursday (May 23) on

damn …. when Justin touches something it turns to gold, we knew this, but I’m sure we didn’t expect it to happen three weeks in a row.


The 20/20 experience is sitting happily perched at the top of the billboard 200 charts for the third week straight since it’s debut on March 19th. Should be try out luck and bet on a fourth week?